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SUPER VISION

2010—2025



Super Vision is a comprehensive presentation of works that attempt to redefine the possibilities of photography in the twenty-first century. Through satellite imagery, digital platforms, artificial intelligence, and appropriated archives, I attempt to reveal infrastructures and image systems that shape our political, social, and cultural reality yet remain largely invisible.

From the censored polygons of Dutch Landscapes (2011) and the sprawling abstractions of Fields and Feedlots (2012–13), to the reimagined histories of Less Américains (2012) and Search History (2023), these works try to expose both the mechanisms of power and the conditions of seeing. The work operates at the intersections of control, transmission, and artifice: mapping hidden geographies, collapsing distances between distant events and intimate experience, and transforming the materials of art itself into new cultural forms.

In reframing the documentary tradition for a post-internet age, I seek to expand photography’s remit beyond the camera, positioning it as a dynamic system of networks, signals, and codes. Super Vision situates this practice as both a critique and celebration of the image: one that forces us to confront how we see, what we believe, and what remains hidden in plain sight.


Explore the works ︎︎︎