SEEING THINGS
2010—2025
Since 2010, I’ve tried to understand how 20th and 21st Century instruments of seeing—cameras, satellites, screens, and now algorithms—shape what we see and how we understand it.
Seeing Things brings together works that explore photography’s evolution in an age of data, surveillance, and automation, and is organised into four conditions of sight:
DISTANCE • BLIND SPOTS • DOUBLE VISION • DELUSIONS
Together, they map a terrain where seeing and believing are no longer the same. Here, every image, whether captured by a satellite, a screen, or an algorithm, is both a record and a mirror: evidence of the world we inhabit and of the systems through which we choose to see.
Explore the works ︎︎︎
DISTANCE • BLIND SPOTS • DOUBLE VISION • DELUSIONS
Together, they map a terrain where seeing and believing are no longer the same. Here, every image, whether captured by a satellite, a screen, or an algorithm, is both a record and a mirror: evidence of the world we inhabit and of the systems through which we choose to see.
Explore the works ︎︎︎